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| ====== Hunt 30: The Last Guardian - Chapter 2 ====== | ====== Hunt 30: The Last Guardian - Chapter 2 ====== | ||
| - | //Game was 3/14/20; due to COVID-19 | + | //Game was 3/14/20; due to COVID-19 |
| ===== Monday, November 1st, 2010 ===== | ===== Monday, November 1st, 2010 ===== | ||
| ==== While the cat is away, the mice will play! ==== | ==== While the cat is away, the mice will play! ==== | ||
| - | William says firmly, “I’m not on board with killing.” He then decides to carefully search the office to keep his mind off the impending attack. Josh declares, “My place is to do what I am told,” but then he remembers the cameras outside. He finds the bank of monitors and quickly determines there is an external feed, and that it records this office. The data uploads to an outside server every three hours, and the next upload is in less than sixty minutes. Realizing this job is outside his technical expertise, he texts Ray Curran, who immediately responds, // | + | [[wod: |
| - | Ray replies a minute later, //“Yeah, I can do that. What am I agreeing to?”// Josh texts, //“It’s easier to explain in person. How soon can you be at the Smith Campus parking garage? | + | Ray replies a minute later, //“Yeah, I can do that. What am I agreeing to?”// Josh texts, //“It’s easier to explain in person. How soon can you be at the Smith Campus parking garage? |
| - | William also finds a safe hidden behind one of the wall monitors, which is cleverly installed on a barely visible hinge. He swings the monitor and manages to pick the lock on the safe. He opens the safe carefully, and then steps back when a puff of dust escapes. Nothing else happens, so he leans in and finds an ancient scroll just lying there. The scroll is tightly rolled up, and the caps are so ancient the original lacquer is black. The paper is brown with age as well, so William asks Polly for help. They carefully extract the scroll and William decides to save it for Abby. | + | William also finds a safe hidden behind one of the wall monitors, which is cleverly installed on a barely visible hinge. He swings the monitor and manages to pick the lock on the safe. He opens the safe carefully, and then steps back when a puff of dust escapes. Nothing else happens, so he leans in and finds an ancient scroll just lying there. The scroll is tightly rolled up, and the caps are so ancient the original lacquer is black. The paper is brown with age as well, so William asks Polly for help. They carefully extract the scroll and William decides to save it for [[wod: |
| ==== The Monster in the Basement ==== | ==== The Monster in the Basement ==== | ||
| - | Meanwhile, Leta, Veltis, Abby, and Anita follow Violet down the stairs and to the gate blocking the subbasement. Violet then pulls out a medallion and starts chanting softly in Greek. She places the medallion at the top left corner of the gate, and then traces a complex mandala from left to right, then down, then right to left, and finally back up to the starting point, chanting the entire time. The ward immediately goes dormant, but Anita takes careful note of how powerful this work is. | + | Meanwhile, |
| - | As they step across the threshold, they are hit with a strong smell of stale human sweat and sawdust. They can taste hot asphalt in the back of their mouths, and then recoil | + | As they step across the threshold, they are hit with a strong smell of stale human sweat and sawdust. They can taste hot asphalt in the back of their mouths, and then recoil |
| - | Violet leads them down the hall silently, to a large metal door. The top half of the door is painted a peeling industrial blue, but the bottom half is mostly spiderwebs of rust – and then they realize the ‘webs’ are moving! Violet performs another chant at the door and unlocks it. She swings it open, and the women all gag on the stench of unwashed humanity. They hesitate, and then Anita steps inside. The room is lit by a flickering sodium bulb and is maybe ten feet by ten feet. The floor is covered in moldy sawdust, and the walls have spiderwebs of rust crawling to the ceiling. In the center of the room, a young woman is chained by her neck, arms, and legs to a bolt in the floor. | + | Violet leads them down the hall silently, to a large metal door. The top half of the door is painted a peeling industrial blue, but the bottom half is mostly spiderwebs of rust – and then they realize the ‘webs’ are moving! Violet performs another chant at the door and unlocks it. She swings it open, and the women all gag on the stench of unwashed humanity. They hesitate, and then Anita steps inside. The room is lit by a flickering sodium bulb and is maybe ten feet by ten feet. The floor is covered in moldy sawdust, and the walls have spiderwebs of rust crawling to the ceiling. In the center of the room, [[wod: |
| - | The figure turns to Anita and stands up straight… which is about 6’5”! The figure is painfully thin and her limbs twitch in unnatural ways – and sometimes shrink into her body! Her face is covered by years of matted, unwashed hair, until she parts her hair like a curtain. The face leering at Anita is no longer human, as her teeth are wet asphalt and her eyes flicker like a car’s rear lights! Anita also realizes the girl’s fingernails are long – and also look like wet asphalt. The being stares at Anita and then rumbles, **“Hello. You are not Konstantin.”** Her voice contains traces of the human she once was, but mostly it sounds like metal twisting like metal – like a car crash. | + | The figure turns to Anita and stands up straight… which is about 6’5”! The figure is painfully thin and her limbs twitch in unnatural ways – and sometimes shrink into her body! Her face is covered by years of matted, unwashed hair, until she parts her hair like a curtain. The face leering at Anita is no longer human, as her teeth are wet asphalt and her eyes flicker like a car’s rear lights! Anita realizes the girl’s fingernails are long – and also look like wet asphalt. The being stares at Anita and then rumbles, **“Hello. You are not [[wod: |
| Anita retorts, “I certainly hope not,” as Leta enters the room. The being shifts her eyes to watch Leta, while Violet stays outside. Abby remains outside as well, as she doesn’t trust Violet. The being rumbles, **“Why are you here?”** Anita notices the webs of moving rust on her chains, but they recoil from symbols engraved into various chain links and padlocks. Anita says carefully, “To meet you.” The creature chuckles and replies, **“Are you here to fight against the hated // | Anita retorts, “I certainly hope not,” as Leta enters the room. The being shifts her eyes to watch Leta, while Violet stays outside. Abby remains outside as well, as she doesn’t trust Violet. The being rumbles, **“Why are you here?”** Anita notices the webs of moving rust on her chains, but they recoil from symbols engraved into various chain links and padlocks. Anita says carefully, “To meet you.” The creature chuckles and replies, **“Are you here to fight against the hated // | ||
| - | The creature cocks her head and hisses, **“What do you want to know?”** Anita replies, “Whatever you can tell us.” The creature smiles widely – and the smile goes past her ears and to the back of her neck! Her head flops backwards and a grey, slug-like tongue whips out at Leta! Leta and Anita scramble backwards, | + | The creature cocks her head and hisses, **“What do you want to know?”** Anita replies, “Whatever you can tell us.” The creature smiles widely – and the smile goes past her ears and to the back of her neck! Her head flops backwards and a grey, slug-like tongue whips out at Leta! Leta and Anita scramble backwards, |
| - | Anita makes a comment about her geist, and the creature stares at her blankly. She growls, **“You are both joined.”** Anita and Leta share a look, but Anita says, “Leta doesn’t have a geist.” The creature again stares at her blankly, and then growls, **“You’re a Fog Man.”**((The term the Aegis Kai Doru uses for Sin-Eaters - when they recognize them.)) Anita has utterly no idea what that means, but then the creature smiles inhumanly widely again and croons, **“I know who you are. Konstantin told me of you. You are Ana Eva Vanessa Maria Perez-Montoya.”** Anita rocks back in shock and Leta exclaims, “Wait, your name isn’t Anita?” Anita grumbles, “It’s a nickname.” | + | Anita makes a comment about her geist, and the creature stares at her blankly. She growls, **“You are both joined.”** Anita and Leta share a look, but Anita says, “Leta doesn’t have a geist.” The creature again stares at her blankly, and then growls, **“You’re a Fog Man.”**((The term the [[wod: |
| The creature looks at Leta and croons, **“Hell-Girl. You must be Leta Mackenzie and that thing on your shoulder is Veltis. Where is Joshua? I am told he is very pretty.”** Rattled, Leta retorts, “We keep the pretty ones to ourselves.” The creature titters and then whispers, **“Are you here to kill me?”** Anita asks, “Why would we do that?” The creature snorts and retorts, **“Because I am trying to escape? | The creature looks at Leta and croons, **“Hell-Girl. You must be Leta Mackenzie and that thing on your shoulder is Veltis. Where is Joshua? I am told he is very pretty.”** Rattled, Leta retorts, “We keep the pretty ones to ourselves.” The creature titters and then whispers, **“Are you here to kill me?”** Anita asks, “Why would we do that?” The creature snorts and retorts, **“Because I am trying to escape? | ||
| - | The creature chortles, **“You are all joined. I can see the book shining under your meat.”** Anita whispers, I think she means the totem,” and Lets nods. Violet suddenly screams in terror and Abby yells out, “Totem!” The creature goes berserk, howling and thrashing, trying to reach the Academitrix as the totem floats at the door. She snarls, “Magath!” Anita and Leta step to the doorway and Anita ask hurriedly, “What?” The totem stares at the creature with cold hatred and growls, //“A// magath. //A spirit that has devoured spirits outside their choir.”// The hunters are still lost, so the totem explains tersely, //“I am a knowledge-spirit. I consume other knowledge spirits, or spirits of a similar theme. If I consume a car-spirit, for example, I will become an abomination. A// magath// | + | The creature chortles, **“You are all joined. I can see the book shining under your meat.”** Anita whispers, I think she means the totem,” and Leta nods. Violet suddenly screams in terror and Abby yells out, “Totem!” The creature goes berserk, howling and thrashing, trying to reach [[wod: |
| Anita says slowly, “I think I’ve got it. How do we save it?” The totem eyes her and says flatly, //“I believe decapitation works on most things.”// | Anita says slowly, “I think I’ve got it. How do we save it?” The totem eyes her and says flatly, //“I believe decapitation works on most things.”// | ||
| Line 36: | Line 37: | ||
| ==== Hormones are a Terrible Thing ==== | ==== Hormones are a Terrible Thing ==== | ||
| - | Back in Violet’s office, Ray struts in as only a teenage boy can possibly do, clearly trying to impress Del. Josh greets Ray warmly, but Del mostly ignores him. Dr. Ranjip and Polly eye the boy, but William suppresses a shudder as he recognizes the boy’s features are like the vampire Elisa Mae, bringing up some uncomfortable memories. Ray tears his eyes away from Del and her pantsuit, and Josh performs quick introductions and then starts to explain. He admits they are entangled in something very dangerous before he stops and asks Del carefully, “Did you sister tell you what happened last night? Where we went?” Del nods, looking bored, so Josh frankly tells Ray, “We’re trying to stop some dickheads who sent us into the Underworld last night.” | + | Back in Violet’s office, Ray struts in as only a teenage boy can possibly do, clearly trying to impress Del. Josh greets Ray warmly, but Del mostly ignores him. Dr. Ranjip and Polly eye the boy, but William suppresses a shudder as he recognizes the boy’s features are like the vampire |
| Ray asks, “Are they monsters? | Ray asks, “Are they monsters? | ||
| - | Ray nods and says, “Network 0 has had run-ins with them before. One guy, bald and with a goatee and way too many guns came after us to take footage we had of someone using a magical sword.” Josh nods as he recognizes Konstantin, and Ray eyes the monitors, He pulls out his laptop and starts hacking into the system. A few minutes later he crows, “I’m in. These guys have shitty security. Do you want me to stop the upload?” Josh shakes his head and replies, “We’re afraid that might warn them.” Ray purses his lips as he scrolls through files and then enters a few commands. He says, “OK, I’ve set it up that last Monday’s files will upload instead. Hopefully they won’t realize the trick right away.” | + | Ray nods and says, “[[wod: |
| Ray does a little more puttering and says, “OK, the exterior server is at… the Northampton airport? Or really close to there.” Josh nods and then Ray freezes. He says, “Josh, I have a strange question for you. Is this place rigged to explode?” Josh admits, “Yes. I did say this was dangerous.” Ray stares at him and says flatly, “You might want to lead with ‘explosives’ next time.” Josh concedes the point and says, “I want you and Del gone. We’ve reached the ‘very dangerous’ stage of this.” Del frowns as Josh texts Anita, //“Is it ok if Ray leaves here with Del?”// Anita texts back as the women rush down the hallway, //“Yeah, sure, kinda busy.”// She then sends, //“Tell Del there’s money in the glove compartment if she wants to take it and bring the kid to a coffee shop.”// | Ray does a little more puttering and says, “OK, the exterior server is at… the Northampton airport? Or really close to there.” Josh nods and then Ray freezes. He says, “Josh, I have a strange question for you. Is this place rigged to explode?” Josh admits, “Yes. I did say this was dangerous.” Ray stares at him and says flatly, “You might want to lead with ‘explosives’ next time.” Josh concedes the point and says, “I want you and Del gone. We’ve reached the ‘very dangerous’ stage of this.” Del frowns as Josh texts Anita, //“Is it ok if Ray leaves here with Del?”// Anita texts back as the women rush down the hallway, //“Yeah, sure, kinda busy.”// She then sends, //“Tell Del there’s money in the glove compartment if she wants to take it and bring the kid to a coffee shop.”// | ||
| - | Josh insists this is where Del takes her leave, and the other hunters agree. Del rolls her eyes and snaps, “Fine, I’ll take the kid to Starbucks. I’ll take the money Anita doesn’t think I know is in the glovebox.” Josh thanks her, and she leaves with Ray. Josh texts Anita the news, and Anita replies, “We’re going outside for fresh air.” Josh tells the others and William decides that is a great idea. Mick refuses to leave the C4 but is fine staying behind; Violet just sits at her desk. It’s 5:45, so there’s still forty-five minutes until Chelsea arrives. The hunters regroup outside, and William and the others note that Leta, Veltis, Abby, Anita, and Violet are dragging in huge gulps of the cold night air. | + | Josh insists this is where Del takes her leave, and the other hunters agree. Del rolls her eyes and snaps, “Fine, I’ll take the kid to Starbucks. I’ll take the money Anita doesn’t think I know is in the glovebox.” Josh thanks her, and she leaves with Ray. Josh texts Anita the news, and Anita replies, |
| ==== Regrouping ==== | ==== Regrouping ==== | ||
| The hunters sit on the grass and Anita declares, “That was Satan’s butthole.” Veltis retorts, “It wasn’t that bad.” That brings Anita up short, so she offers, “Satan’s sweaty gym shorts?” Veltis concedes, “Ok, about that bad.” The hunters quickly swap stories, and William hands the scroll to Abby. She carefully unrolls it, and the hunters look over her shoulder to see cramped writing covering the scroll. They quickly realize there are two languages here; the first is the original work, and the second is someone translating it into ancient Greek in the spaces between the original lines and in the margins. | The hunters sit on the grass and Anita declares, “That was Satan’s butthole.” Veltis retorts, “It wasn’t that bad.” That brings Anita up short, so she offers, “Satan’s sweaty gym shorts?” Veltis concedes, “Ok, about that bad.” The hunters quickly swap stories, and William hands the scroll to Abby. She carefully unrolls it, and the hunters look over her shoulder to see cramped writing covering the scroll. They quickly realize there are two languages here; the first is the original work, and the second is someone translating it into ancient Greek in the spaces between the original lines and in the margins. | ||
| - | Abby whispers, “This is a ward. This is the ward in the basement. This is what they used to cast it. But it’s not complete, some of the translations have crumbled away at the edges. That’s why that thing’s influence is still leaking out, the ward isn’t complete.” Anita mutters, “When in doubt, half-ass it.” Abby looks up at Leta and Veltis and says, “I’m sure you’ll want to pass this along to the Lucifuge? | + | Abby whispers, “This is a ward. This is the ward in the basement. This is what they used to cast it. But it’s not complete, some of the translations have crumbled away at the edges. That’s why that thing’s influence is still leaking out, the ward isn’t complete.” Anita mutters, “When in doubt, half-ass it.” Abby looks up at Leta and Veltis and says, “I’m sure you’ll want to pass this along to the [[wod: |
| The hunters wait patiently in the cold air until 6:30, when a black car with state plates pulls up in front of them. Chelsea steps out wearing jeans, boots, a thin coat, and mirrored sunglasses. She carries a briefcase and has a backpack slung over her shoulder. She strides over to them and growls, “Hello. I wish it was longer until I saw you all again.” Josh apologizes but lays things out quickly. The hunters debate their next move until Dr. Ranjip cuts in, “Agent O’Malley should stay here with Officer McManus, he can’t help in a fight right now. Ray and Del are safely out of the picture. We should meet our reinforcements at the airport and deal with the AKD.” | The hunters wait patiently in the cold air until 6:30, when a black car with state plates pulls up in front of them. Chelsea steps out wearing jeans, boots, a thin coat, and mirrored sunglasses. She carries a briefcase and has a backpack slung over her shoulder. She strides over to them and growls, “Hello. I wish it was longer until I saw you all again.” Josh apologizes but lays things out quickly. The hunters debate their next move until Dr. Ranjip cuts in, “Agent O’Malley should stay here with Officer McManus, he can’t help in a fight right now. Ray and Del are safely out of the picture. We should meet our reinforcements at the airport and deal with the AKD.” | ||
| ==== Call the Cops ==== | ==== Call the Cops ==== | ||
| - | The hunters agree, and Chelsea enters while the hunters head to the cars. Abby, Leta, and Veltis get into Anita’s car while Polly, Dr. Ranjip, and Josh ride with William. Josh calls MacLeod’s cell phone. MacLeod is at Fitzwillie’s, | + | The hunters agree, and Chelsea enters while the hunters head to the cars. Abby, Leta, and Veltis get into Anita’s car while Polly, Dr. Ranjip, and Josh ride with William. Josh calls [[wod: |
| - | William, Josh, and Polly argue over who should call Vandernoot, until Josh dials her number – and then puts it on speakerphone and holds it out to William. Vandernoot is still in her office when her phone rings. She immediately recognizes the number and sighs with exasperation as she answers, “What?” Josh chirps, //“Hi! We’re about to make your bad day even worse. But we’re forewarning you this time!”// Vandernoot sighs and growls, “How?” Josh replies, //“It’s about the people from this morning. They’re near the airport and we’re going after them. Can you pill the police officers there out?”// Vandernoot retorts, “Sure, I’ll just send them… where? | + | MacLeod is at Fitzwilly’s, |
| + | |||
| + | William, Josh, and Polly argue over who should call [[wod: | ||
| Josh replies, //“Oh! The Smith parking garage. Mick’s there. I mean Officer McManus.”// | Josh replies, //“Oh! The Smith parking garage. Mick’s there. I mean Officer McManus.”// | ||
| - | Vandernoot howls, “You have air support? | + | Vandernoot howls, “You have air support? |
| - | In Anita’s car, Leta calls Milan. The phone rings twice, and then something picks up and schlorps. Leta says, “Hi, Bob, it’s Leta. Is Giuseppe | + | In Anita’s car, Leta calls Milan. The phone rings twice, and then something picks up and schlorps. Leta says, “Hi, |
| - | Giuseppe accepts the compliment and Leta quickly explains the situation. She admits, “I’m still going to kill them – for vengeance – but I don’t want to start a war between the Lucifuge and the Aegis Kai Doru.” Giuseppe replies flatly, //“If you strike the Aegis, they will strike back.”// Anita start humming the Imperial March from Star Wars, and Leta snaps, “No! They don’t get a cool theme song!” Giuseppe sighs and says, //“I will inform the Lady. Good luck.”// Leta says sincerely, “Thanks.” She then ends the call. | + | Giuseppe accepts the compliment and Leta quickly explains the situation. She admits, “I’m still going to kill them – for vengeance – but I don’t want to start a war between the Lucifuge and the Aegis Kai Doru.” Giuseppe replies flatly, //“If you strike the Aegis, they will strike back.”// Anita start humming the Imperial March from Star Wars, and Leta snaps, “No! They don’t get a cool theme song!” Giuseppe sighs and says, //“I will inform |
| ==== Hakim and Friends ==== | ==== Hakim and Friends ==== | ||
| - | Both cars pull into the main entrance of the airport at 6:50 PM and see Hakim’s plane coming in for a landing. They get out of their cars and head over to the airstrip as the plane lands and taxis to a stop. The pilot recognizes the Troys and simply drops the stairs to them. Hakim descends with Amira and five Arab women in full combat gear! William immediately recognizes them as the Amazonian Guard from Libya! Hakim catches his gaze and says simply, “Colonel Gaddafi owed me a favor. Well, several favors, actually.” | + | Both cars pull into the main entrance of the airport at 6:50 PM and see [[wod: |
| Leta looks around and spots the property by the end of the airstrip, separated from the airport by a waist-high black chain link fence. Most of the property is in shadow, but she points and says softly, “We believe the statue of Bast you’re looking for is there.” Hakim goes very still and then snarls softly, “Oh, it is. It definitely is. I can feel it.” Leta eyes the property and muses, “We could really use Bob right now.” Anita asks, “Who’s Bob?” Leta says, “A pink tentacle demon. A lesbian pink tentacle demon, actually. She was disappointed when she found out Polly was in a relationship, | Leta looks around and spots the property by the end of the airstrip, separated from the airport by a waist-high black chain link fence. Most of the property is in shadow, but she points and says softly, “We believe the statue of Bast you’re looking for is there.” Hakim goes very still and then snarls softly, “Oh, it is. It definitely is. I can feel it.” Leta eyes the property and muses, “We could really use Bob right now.” Anita asks, “Who’s Bob?” Leta says, “A pink tentacle demon. A lesbian pink tentacle demon, actually. She was disappointed when she found out Polly was in a relationship, | ||
| Line 76: | Line 79: | ||
| It’s 7:15 when they slip between the fence and canvass the property. They see three buildings: the main house by the road, a big red barn, and a weather-beaten outbuilding that’s closest to the airstrip. The property appears dilapidated, | It’s 7:15 when they slip between the fence and canvass the property. They see three buildings: the main house by the road, a big red barn, and a weather-beaten outbuilding that’s closest to the airstrip. The property appears dilapidated, | ||
| - | Unfortunately, | + | Unfortunately, |
| - | The three AKD hunters immediately pivot and rush towards the outbuilding to investigate, | + | The three AKD hunters immediately pivot and rush towards the outbuilding to investigate, |
| Unfortunately, | Unfortunately, | ||
| - | Hakim reluctantly agrees and Amira murmurs something in Arabic to the Amazonian Guard. Anita frowns and then hisses, “The second patrol is heading this way!” William whispers, “Hide!” and the allies melt into the shadows. The second patrol walks right by them and fails to notice the allies – or the corpse! They do spot the increased glow on the sun globe and one radios in, “Sir, something’s wrong.” There is a burst of static, and then the hear Konstantin snarl, //“Lock it down, those damn wolves are back!”// The five Libyans pull out another brace of knives and throw them silently at the patrol, dropping all three men with precise strikes to their necks!((Fatalities 2, 3, and 4)) | + | Hakim reluctantly agrees and Amira murmurs something in Arabic to the Amazonian Guard. Anita frowns and then hisses, “The second patrol is heading this way!” William whispers, “Hide!” and the allies melt into the shadows. The second patrol walks right by them and fails to notice the allies – or the corpse! They do spot the increased glow on the sun globe and one radios in, “Sir, something’s wrong.” There is a burst of static, and then the hear Konstantin snarl, //“Lock it down, those damn wolves are back!”// The five Libyans pull out another brace of knives and throw them silently at the patrol, dropping all three men with precise strikes to their necks!((Fatalities |
| ==== All Hell Breaks Loose ==== | ==== All Hell Breaks Loose ==== | ||
| Konstantin snaps, // | Konstantin snaps, // | ||
| - | Leta charges first, driving her claws into the first man’s face and then // | + | Leta charges first, driving her claws into the first man’s face and then // |
| - | Hakim frowns and asks Amira, “Do I know Merat-Su? | + | Hakim frowns and asks Amira, “Do I know Merat-Su? |
| The AKD opens fire blindly as six men rush out of the house to the reliquary! William, Polly, and Dr. Ranjip dart out to try and beat them there, but Leta, Veltis, and Anita simply fire their respective flame powers! One of the AKD hunters screams, “Warform!” when he sees Veltis in the shadows, and two of the chargers drop from the flames. Hakim smiles and says proudly, “Time for a classic!” His jaws descend and scarabs pour out of him, swarming towards the four survivors and attacking! The five Libyans calmly open fire with their AK-47s, dropping the remaining men and allowing the scarabs a chance to feast!((Fatalities #8, 9, 10, 11, 12, and 13)) | The AKD opens fire blindly as six men rush out of the house to the reliquary! William, Polly, and Dr. Ranjip dart out to try and beat them there, but Leta, Veltis, and Anita simply fire their respective flame powers! One of the AKD hunters screams, “Warform!” when he sees Veltis in the shadows, and two of the chargers drop from the flames. Hakim smiles and says proudly, “Time for a classic!” His jaws descend and scarabs pour out of him, swarming towards the four survivors and attacking! The five Libyans calmly open fire with their AK-47s, dropping the remaining men and allowing the scarabs a chance to feast!((Fatalities #8, 9, 10, 11, 12, and 13)) | ||
| Line 100: | Line 103: | ||
| Dr. Ranjip, Poly, and William enter the reliquary and Dr. Ranjip unleashes his fear-power again. It’s less effective this time, as something in here drains some of it, but it is enough to throw all three people off their game. William charges one of the women and she screams, “Oh God, the clown!” William coldcocks her and she drops. Polly charges the unwounded man and he cries, “I returned that library book!” She knocks him out with a vicious pistol whipping.((Casualties/ | Dr. Ranjip, Poly, and William enter the reliquary and Dr. Ranjip unleashes his fear-power again. It’s less effective this time, as something in here drains some of it, but it is enough to throw all three people off their game. William charges one of the women and she screams, “Oh God, the clown!” William coldcocks her and she drops. Polly charges the unwounded man and he cries, “I returned that library book!” She knocks him out with a vicious pistol whipping.((Casualties/ | ||
| - | Anita unlocks // | + | Anita unlocks // |
| - | Hakim swings in behind the woman and then punches his fist into her back! She stiffens and gurgles as he partially pulls her spine out! Hakim then looks to Leta and says, “I apologize. Do you wish to finish her?” Leta croaks, “Nope!” so Hakim rips her spine completely out of her torso. Anita watches in horror as the woman’s skull rips free of the back of her head!((Fatality #19)) The AKD hunters in the house fall back further to regroup and swap weapons, and Leta gurgles, “I need more blood.” Anita yells for Dr. Ranjip’s help, but then they start falling back to the reliquary anyway. Dr. Ranjip discounts the last remaining AKD hunter in the reliquary and runs outside to help. Polly and William handcuff the last AKD hunter, a younger woman.((Casualty/ | + | Hakim swings in behind the woman and then punches his fist into her back! She stiffens and gurgles as he partially pulls her spine out! Hakim then looks to Leta and says, “I apologize. Do you wish to finish her?” Leta croaks, “Nope!” so Hakim rips her spine completely out of her torso. Anita watches in horror as the woman’s skull rips free of the back of her head!((Fatality #19)) The AKD hunters in the house fall back further to regroup and swap weapons, and Leta gurgles, “I need more blood.” Anita yells for Dr. Ranjip’s help, but then they start falling back to the reliquary anyway. Dr. Ranjip discounts the last remaining AKD hunter in the reliquary and runs outside to help. Polly and William handcuff the last AKD hunter, a younger woman.((Casualty/ |
| ==== Unexpected Savagery ==== | ==== Unexpected Savagery ==== | ||
| - | Anita suggests, “Spiritual arson?” as she gestures to the house. Leta nods and Anita tries to unlock // | + | Anita suggests, “Spiritual arson?” as she gestures to the house. Leta nods and Anita tries to unlock // |
| - | + | ||
| - | Konstantin stumbles out of a purple mist disoriented – and right in front of Josh! Josh shrieks, “Academitrix, | + | |
| - | + | ||
| - | Four massive wolf-monsters march out of the house, blood and offal dripping from their claws and muzzles! The five Libyan women shriek and collapse as the Lunacy takes them, and Amira leans in and says quietly, “My lord? New plan. Never piss those things off.” Hakim eyes the advancing werewolves and muses, “I think I did, once, and it ate me. Deeply unpleasant.” Leta and Anita stare at him, but then Anita asks, “Josh, are you ok?” Josh replies weakly, //“No. Granddad, do you have any mints?”// As they approach the four //Uratha// shift to //Dalu// form to appear more human, and Valerie spits out someone’s ring at Anita. She looks down at Leta, who croaks, “I howled real good, but then I got stabbed.” Valerie lets out a booming laugh and then asks, “So… who are these assholes?"" | + | |
| - | + | ||
| + | Konstantin stumbles out of a purple mist disoriented – and right in front of Josh! Josh shrieks, “Academitrix, | ||
| + | Four massive wolf-monsters march out of the house, blood and offal dripping from their claws and muzzles! The five Libyan women shriek and collapse as the Lunacy takes them, and Amira leans in and says quietly, “My lord? New plan. Never piss those things off.” Hakim eyes the advancing werewolves and muses, “I think I did, once, and it ate me. Deeply unpleasant.” Leta and Anita stare at him, but then Anita asks, “Josh, are you ok?” Josh replies weakly, //“No. Granddad, do you have any mints?”// As they approach the four //Uratha// shift to //Dalu// form to appear more human, and [[wod: | ||
| + | ---- | ||
| + | <WRAP group> | ||
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| + | [[{}wod: | ||
| + | </ | ||
| + | <WRAP half column rightalign> | ||
| + | [[{}wod: | ||
| + | </ | ||
| + | </ | ||